5 movies like Killers of the Flower Moon you should watch

Brad Pitt standing in a wheat field in The Assassination of Jesse James by Coward Robert Ford.
The assassination of Jesse James by the coward Robert Ford Warner Bros.

After years of waiting, Martin Scorsese’s latest film, flower moon killer, is finally here. The film, an adaptation of David Grann’s 2017 nonfiction novel of the same name, explores the real-life murders that were committed against members of the Osage Nation after oil was discovered beneath their lands in 1920s Oklahoma. Running 206 minutes and starring Scorsese’s core cast of Leonardo DiCaprio and Robert De Niro, as well as the quietly excellent Lily Gladstone, the drama is a chilling exploration of greed, systemic racism, and white supremacy.

The film draws on many of Scorsese’s lifelong interests, but it often feels different from anything else he’s made before. In fact, there are not many films that display the same pace and rhythm flower moon killer, Here are five films that are must-sees for anyone wanting to see Scorsese’s latest films.

Foxcatcher (2014)

Based on the real-life events that led to the murder of David Schultz (Mark Ruffalo) at the hands of millionaire John du Pont (Steve Carell), director Bennett Miller foxcatcher He brings such a clinical, journalistic approach to his storytelling that it becomes almost unbearable to watch at times.

Its non-stylized aesthetic extends to its moments of violence, which – like the murders depicted in flower moon killer – are presented so nakedly that they take the film to new, scary heights. In other words, if you want to see the same unsettling true-crime drama flower moon killerlook no further than this foxcatcher,

Memories of Murder (2003)

One of the best true-crime thrillers in cinema history, memories of murder Following a pair of South Korean detectives as they begin to investigate a horrific series of local rapes and murders. Inspired by a real-life case, the 2003 film is much more moving and stylized than flower moon killerBut both films tap into similar wells of anger, frustration, and tragedy.

memories of murder This is still the best film director Bong Joon-ho has made and has the potential to be a perfect companion film thanks to its subject matter, tone, and quietly heartbreaking conclusion. flower moon killer,

Coup de Torchon (1981)

This often-forgotten French crime film from director Bertrand Tavernier exposes the corrosiveness of violence and racism in such a disturbing way that it feels, in many ways, like a spiritual predecessor. flower moon killer, Based on the 1964 Jim Thompson novel, wipe Replaces the American setting of its source material with a colonial village in French West Africa, and follows a minor police sheriff who deals with the constant humiliation and insults inflicted by those around him with increasingly harsh acts of violence. Decides to answer.

The film offers such a direct, unabashed look at human evil that, like Martin Scorsese’s latest feature effort, it will shock you and deeply, deeply disturb you.

The assassination of Jesse James by the coward Robert Ford (2007)

director blondBased on the 1983 novel of the same name by Andrew Dominik and Ron Hansen, The assassination of Jesse James by the coward Robert Ford is a quiet, contemplative Western film that, as its title promises, explores the tragic relationship between its eponymous lead characters (played by Brad Pitt and Casey Affleck respectively).

The film, with its lyrical structure and dream-like aesthetic, offers similar visual and stylistic pleasures flower moon killerAnd its meditation on the lasting effects of violence makes it a compelling thematic counterpart to the new 3-hour drama.

The Irishman (2019)

This is an equally unique contribution to Martin Scorsese’s filmography. killer of flower moon Yes, it feels like a fitting successor for 2019 Irishman, The latter film’s final hour, with its unspoken observations about the passage of time, greed, and violence, feels like a sinister prologue to the entirety of Scorsese’s latest effort, which actively subverts almost every expectation there was for it. Rejects.

Both films feel like mature, contemplative final chapters of a story Scorsese has been telling since he began making films, and they both end on notes that reflect not only the cruelty of time, but its cost. Are also powerful in acceptance. Failing to take accountability.

flower moon killer Now running in theatres.

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